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Front Cover: Erik Nitsche, “‘Bombs for Peace,’ General Dynamics, 1955,” offset lithograph, 52 3/16 x 37 13/16 in. Used with permission of General Dynamics Corporation.
In this Issue
Modernism/modernity focuses on the methodological, archival, and theoretical approaches particular to modernist studies. It encourages an interdisciplinary approach linking music, architecture, the visual arts, literature, and social and intellectual history. The journal's broad scope fosters dialogue about the history of modernism and its relations to modernization. Each issue features a selection of essays as well as book reviews. Additional articles and other peer-reviewed formats appear on the journal's Print Plus platform (modernismmodernity.org). Modernism/modernity is the official journal of the Modernist Studies Association (MSA). Winner of six awards from CELJ.
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Johns Hopkins University Pressviewing issue
Volume 23, Number 3, September 2016Table of Contents

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View Picasso: The Great War, Experimentation, and Change, and: Picasso: The Great War, Experimentation, and Change by Pablo Picasso, Mariah Keller (review)
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View Planetary Modernisms: Provocations on Modernity across Time by Susan Stanford Friedman (review)
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View The Wallflower Avant-Garde: Modernism, Sexuality, and Queer Ekphrasis by Brian Glavey (review)
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View Deafening Modernism: Embodied Language and Visual Poetics in American Literature by Rebecca Sanchez (review)
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View Birth of an Industry: Blackface Minstrelsy and the Rise of American Animation by Nicholas Sammond (review)
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View James Joyce, Science, and Modernist Print Culture: “The Einstein of English Fiction.” by Jeffrey S. Drouin (review)
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View Modernism and Mobility: The Passport and Cosmopolitan Experience by Bridget T. Chalk, and: Nation and Citizenship in the Twentieth-Century British Novel by Janice Ho (review)
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View Reckoning with the Imagination: Wittgenstein and the Aesthetics of Literary Experience by Charles Altieri (review)
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ISSN | 1080-6601 |
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Print ISSN | 1071-6068 |
Launched on MUSE | 2016-09-27 |
Open Access | No |
Copyright
Copyright © The Johns Hopkins University Press.
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