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Front Cover: Cover design by Jeenee Lee
Cover photograph printed with permission from the National Film Preservation Foundation.
Cover art: Sample Frames (Alexandra Navratil, 2011–2012). Excerpt of the work prepared by and courtesy of the artist.

The Moving Image

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Volume 15, Number 1, Spring 2015

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The Moving Image is an exciting new journal that deals with crucial issues surrounding the preservation and restoration of film, television, video, and digital moving images. The journal offers detailed profiles of moving image collections, behind-the-scenes looks at the techniques used to preserve and restore moving images, and theoretical and visionary articles on the future of the field.

published by

University of Minnesota Press

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Volume 15, Number 1, Spring 2015

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The Exhibition Context and the Contemporary Significance of Color: The Case of Kinemacolor

Victoria Jackson

pp. 1-21

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Color Analysis for the Digital Restoration of Das Cabinet des Dr. Caligari

Barbara Flueckiger

pp. 22-43

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We’ve Got Bigger Problems: Preservation during Eastman Color’s Innovation and Early Diffusion

Heather Heckman

pp. 44-61

DOI: https://doi.org/10.5749/movingimage.15.1.0044

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Falling in (to) Color: Chromophilia and Tom Ford’s A Single Man (2009)

Kirsten Moana Thompson

pp. 62-84

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Le Livre de fabrication de la compagnie générale des phonographes cinématographes et appareils de précision: The Pathé Frères Laboratory Logbook of Joinville-Le-Pont (1906–8)

Céline Ruivo

pp. 85-92

DOI: https://doi.org/10.5749/movingimage.15.1.0085

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Hand-Painted Abstractions: Experimental Color in the Creation and Restoration of Ballet mécanique

Rossella Catanese, Guy Edmonds, Bregt Lameris

pp. 92-98

DOI: https://doi.org/10.5749/movingimage.15.1.0092

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Kevin Brownlow on Film Color

Victoria Jackson, Sarah Street

pp. 99-103

DOI: https://doi.org/10.5749/movingimage.15.1.0099

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On the Restoration History of Colored Silent Films in Germany: An Interview with Martin Koerber

Bregt Lameris

pp. 103-108

DOI: https://doi.org/10.5749/movingimage.15.1.0103

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Spectrum Analysis: Discussing the Films of Paul Sharits with Bill Brand, Chris Hughes, John Klacsmann, and Andrew Lampert

Federico Windhausen

pp. 109-113

DOI: https://doi.org/10.5749/movingimage.15.1.0109

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Films You Saw in School: A Critical Review of 1,153 Classroom Educational Films (1958–1985) in 74 Subject Categories by Geoff Alexander (review)

Snowden Becker

pp. 114-117

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Screen Culture and the Social Question 1880–1914 ed. by Ludwig Vogl-Bienek, Richard Crangle (review)

Cheryl C. Boots

pp. 117-119

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Amateur Filmmaking: The Home Movie, the Archive, the Web ed. by Laura Rascaroli, Gwenda Young, Barry Monahan (review)

Dwight Swanson

pp. 120-122

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L’amore in città (review)

Jeremy Carr

pp. 123-125

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Things to Come (review)

Eliot Chayt

pp. 125-128

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On the Bowery: The Films of Lionel Rogosin, Volume I (review)

Eric Lackey

pp. 128-130

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Color Plate Section

pp. 131-146

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Editors’ Foreword

Susan Ohmer, Donald Crafton

p. vii

DOI: https://doi.org/10.5749/movingimage.15.1.0vii

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Guest Editor’s Foreword: Restoring Color

Joshua Yumibe

pp. viii-xiii

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Additional Information
ISSN	1542-4235
Print ISSN	1532-3978
Launched on MUSE	2015-07-09
Open Access	No

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