In this Issue

Table of Contents

Modal Transpositions toward Theatres of Encounter, or, in Praise of “Media Intermultimodality”

Andy Lavender
pp. 499-518
DOI: https://doi.org/10.1353/tj.2014.0105
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Hayloft’s Thyestes: Adapting Seneca for the Australian Stage and Context

Margaret Hamilton
pp. 519-539
DOI: https://doi.org/10.1353/tj.2014.0110
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All Shook Up and the Unannounced Adaptation: Engaging with Twelfth Night’s Unstable Identities

John R. Severn
pp. 541-557
DOI: https://doi.org/10.1353/tj.2014.0115
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Gentlemen Prefer Adaptations: Addressing Industry and Gender in Adaptation Studies

Bethany Wood
pp. 559-579
DOI: https://doi.org/10.1353/tj.2014.0120
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Ghosts We Have Seen Before: Trends in Adaptation in Contemporary Performance

Katja Krebs
pp. 581-590
DOI: https://doi.org/10.1353/tj.2014.0125
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The Mysteries Conceived and directed by Ed Sylvanus Iskandar (review)

Jill Stevenson
pp. 591-594
DOI: https://doi.org/10.1353/tj.2014.0130
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The Grapes of Wrath by Frank Galati (review)

Aaron C. Thomas
pp. 594-596
DOI: https://doi.org/10.1353/tj.2014.0103
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Roddy Doyle’s the Commitments: A New Musical by Roddy Doyle, and: Teenage Kicks: A Punk Musical by Colin Bateman (review)

Mary Jo Lodge
pp. 596-599
DOI: https://doi.org/10.1353/tj.2014.0108
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A Man’s a Man by Bertolt Brecht (review)

Jordan Schildcrout
pp. 599-601
DOI: https://doi.org/10.1353/tj.2014.0113
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Spill by Leigh Fondakowski (review)

courtney b. Ryan
pp. 601-604
DOI: https://doi.org/10.1353/tj.2014.0118
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Major Barbara by George Bernard Shaw, and: The Light in the Piazza by Craig Lucas and Adam Guettel, and: Guys and Dolls by Jo Swerling, Abe Burrows, and Frank Loesser (review)

Byron Nelson
pp. 604-608
DOI: https://doi.org/10.1353/tj.2014.0123
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Measure for Measure by William Shakespeare (review)

Rachel Evans
pp. 608-611
DOI: https://doi.org/10.1353/tj.2014.0128
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Twelfth Night by William Shakespeare (review)

Horacio Sierra
pp. 611-613
DOI: https://doi.org/10.1353/tj.2014.0134
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A Lady of Little Sense by Lope de Vega, and: Punishment Without Revenge by Lope de Vega, and: Don Gil of the Green Breeches by Tirso de Molina (review)

Esther Fernández, Juan Hernando Vázquez
pp. 614-617
DOI: https://doi.org/10.1353/tj.2014.0106
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La Zapatera Prodigiosa (The Prodigious Shoemaker’s Wife) by Federico García Lorca (review)

BEN DE WITTE
pp. 617-619
DOI: https://doi.org/10.1353/tj.2014.0111
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The House that will not Stand by Marcus Gardley (review)

Miriam Chirico
pp. 619-621
DOI: https://doi.org/10.1353/tj.2014.0116
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The Barber of Seville by Pierre-Augustin Caron de Beaumarchais, and: The Marriage of Figaro by Pierre-Augustin Caron de Beaumarchais (review)

Tili Boon Cuillé
pp. 621-624
DOI: https://doi.org/10.1353/tj.2014.0121
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Adaptation

Kevin J. Wetmore Jr.
pp. 625-634
DOI: https://doi.org/10.1353/tj.2014.0126
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Collecting Shakespeare: The Story of Henry and Emily Folger by Stephen H. Grant, and: Shakespeare in America: An Anthology from the Revolution to Now ed. by James Shapiro (review)

Felicia Hardison Londre
pp. 635-637
DOI: https://doi.org/10.1353/tj.2014.0131
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Sex and War on the American Stage: Lysistrata in performance, 1930–2012 by Emily B. Klein (review)

Helene P. Foley
pp. 637-638
DOI: https://doi.org/10.1353/tj.2014.0104
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The Politics of Adaptation: Contemporary African Drama and Greek Tragedy by Astrid Van Weyenberg (review)

Phillip Zapkin
pp. 638-639
DOI: https://doi.org/10.1353/tj.2014.0109
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South African Performance and Archives of Memory by Yvette Hutchison (review)

Gibson Alessandro Cima
pp. 639-341
DOI: https://doi.org/10.1353/tj.2014.0114
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Imagining the Edgy City: Writing, Performing, and Building Johannesburg by Loren Kruger (review)

Catherine M. Cole
pp. 641-642
DOI: https://doi.org/10.1353/tj.2014.0119
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Neoliberalism and Global Theatres: Performance Permutations ed. by Lara D. Nielsen and Patricia Ybarra, and: Performance in the Blockades of Neoliberalism: Thinking the Political Anew by Maurya Wickstrom (review)

Jen Harvie
pp. 642-644
DOI: https://doi.org/10.1353/tj.2014.0124
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Passionate Amateurs: Theatre, Communism, and Love by Nicholas Ridout (review)

Baz Kershaw
pp. 644-646
DOI: https://doi.org/10.1353/tj.2014.0129
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Cultural Struggles: Performance, Ethnography, Praxis by Dwight Conquergood (review)

Laurie Frederik
pp. 646-647
DOI: https://doi.org/10.1353/tj.2014.0102
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Contemporary Mise En Scène: Staging Theatre Today by Patrice Pavis (review)

Jeanmarie Higgins
pp. 648-649
DOI: https://doi.org/10.1353/tj.2014.0107
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Perform, Repeat, Record: Live Art in History ed. by Amelia Jones and Adrian Heathfield, and: Live Art in La: Performance in Southern California, 1970–1983 ed. by Peggy Phelan (review)

Marie Pecorari
pp. 649-651
DOI: https://doi.org/10.1353/tj.2014.0112
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Wild Tongues: Transnational Mexican Popular Culture by Rita E. Urquijo-Ruiz, and: La Voz Latina: Contemporary Plays and Performance Pieces by Latinas ed. Elizabeth C. Ramírez and Catherine Casiano (review)

Ashley Lucas
pp. 651-653
DOI: https://doi.org/10.1353/tj.2014.0117
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Yip Harburg: Legendary Lyricist and Human Rights Activist by Harriet Hyman Alonso (review)

Vivian Appler
pp. 653-654
DOI: https://doi.org/10.1353/tj.2014.0122
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Editorial Comment: Theatre and Adaptation

Joanne Tompkins
pp. ix-xi
DOI: https://doi.org/10.1353/tj.2014.0133
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Books Received

pp. 655-663
DOI: https://doi.org/10.1353/tj.2014.0127
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Contributors’ Index

pp. 667-675
DOI: https://doi.org/10.1353/tj.2014.0132
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