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Front Cover: Les Petites Cellules Chaudes’ The iShow. Photo by Jérémie Battaglia, leishow.com

Canadian Theatre Review

In this Issue

Additional Information

Volume 159, Summer 2014

Issue

Digital Performance

edited by Peter Kuling and Laura Levin

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Canadian Theatre Review is the major magazine of record for Canadian theatre. It is committed to excellence in the critical analysis and innovative coverage of current developments in Canadian theatre, to advocating new issues and artists, and to publishing at least one significant new playscript per issue. The editorial board is committed to CTR's practice of theme issues that present multi-faceted and in-depth examinations of the emerging issues of the day and to expanding the practice of criticism in Canadian theatre and to the development of new voices.

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University of Toronto Press

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Volume 159, Summer 2014

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Digital Performance in Canada

Peter Kuling, Laura Levin

pp. 5-8

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The New Intimacy: rihannaboi95 and Web Theatre

Jordan Tannahill

pp. 9-12

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iTalk, YouListen, WePerform: Participatory Media on the Canadian Stage

Kimberley McLeod

pp. 13-18

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Praxis in Practice: Digital Media and Social Design in Performance

Alison Broverman

pp. 19-23

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Highlights from Praxis Theatre’s Encounters with Social Media

Laura Levin, Aislinn Rose, Tommy Taylor, Michael Wheeler

pp. 24-29

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Decolonial Interventions in Performance and New Media Art: In Conversation with Cheryl L’Hirondelle and Kent Monkman

Julie Nagam, Kerry Swanson, Cheryl L’Hirondelle, Kent Monkman

pp. 30-37

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Patch Notes: Playing the Selves in Gamespace

Alan Filewod

pp. 38-42

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Outing Ourselves in Outer Space: Canadian Identity Performances in BioWare’s Mass Effect Trilogy

Peter Kuling

pp. 43-47

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Voice of the Patriots: An Interview with Canadian Video Game Performer David Hayter

Jamie Love, David Hayter

pp. 48-51

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I, Patient: Performance Practices in Medical Simulation at Hôpital Montfort

Sebastian Samur

pp. 52-57

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Inside Information: Ken Cameron’s How iRan

Patrick Finn

pp. 58-61

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How iRan: Three Plays for iPod (Selections from the Green, White, and Red iPod Scripts)

Ken Cameron

pp. 62-67

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LANDLINE: Halifax to Vancouver

Dustin Harvey, Adrienne Wong

pp. 68-80

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Editorial

Natalie Alvarez

p. 81

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How Can We Talk about Affect in Digital Performance?

Sydney Tyber

pp. 82-85

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A Dance Tribute to the Art of Football

Daniel Evans

pp. 86-88

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“The Body’s Delicate”: LEAR, a Collaborative Case Study in Contemporary Feminist Theatre

Thea Fitz-James

pp. 89-92

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An Archive of Encounter: Travels beyond Borders with Madeleine Blais-Dahlem

Alethea Tamarit Raban, Madeleine Blais-Dahlem

pp. 93-96

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A Photographic Journey through Digital Technology in Canadian Performances

David Owen

pp. s1-s11

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How iRan: Three Plays for iPod (Part 1: Green)

Ken Cameron

pp. s13-s33

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How iRan: Three Plays for iPod (Part 2: White)

Ken Cameron

pp. s34-s53

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How iRan: Three Plays for iPod (Part 3: Red)

Ken Cameron

pp. s54-s73

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Previous Issue

Volume 158, Spring 2014

Next Issue

Volume 160, Fall 2014

Additional Information
ISSN	1920-941X
Print ISSN	0315-0836
Launched on MUSE	2014-07-30
Open Access	No

Additional Issue Materials

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