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In this Issue
Narrative is the official journal of International Society for the Study of Narrative. Its mission is to publish essays that contribute to both narrative theory and the interpretation of individual narratives. Within those parameters, the journal is open to work on the elements, techniques, structures, and forms of narrative as well as on its relations to other modes of discourse, its history, and its powers (and limits) in cultures past and present. The journal is interested in narrative across disciplines and across media, and, thus, it welcomes submissions on the theory and interpretation of the novel, the short story, narrative poetry, history, biography, autobiography, memoir, film, television, journalism, comics and other graphic arts, music, performance, legal writing, medical case histories, and more.
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published by
The Ohio State University Pressviewing issue
Volume 22, Number 2, May 2014Table of Contents
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View In the Waiting Room: Narrative in the Autobiographical Lyric Poem, Or Beginning to Think about Lyric Poetry with Narratology
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In the Waiting Room: Narrative in the Autobiographical Lyric Poem, Or Beginning to Think about Lyric Poetry with Narratology
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View Two Trajectories of Reader Response in Narrative Poetry: Roses and Risings in Keats’s “The Eve of St. Agnes”
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Two Trajectories of Reader Response in Narrative Poetry: Roses and Risings in Keats’s “The Eve of St. Agnes”
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View The Phonetic and Spatial Effects of Discourse in Poetic Narratives: The Case of Keats’s “La Belle Dame sans Merci”
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The Phonetic and Spatial Effects of Discourse in Poetic Narratives: The Case of Keats’s “La Belle Dame sans Merci”
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View Unremembered Plots: Catachresis and Narrativity in Lucille Clifton’s “why some people be mad at me sometimes” and Countee Cullen’s “Heritage”
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Unremembered Plots: Catachresis and Narrativity in Lucille Clifton’s “why some people be mad at me sometimes” and Countee Cullen’s “Heritage”
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| ISSN | 1538-974X |
|---|---|
| Print ISSN | 1063-3685 |
| Launched on MUSE | 2014-05-02 |
| Open Access | No |
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