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Front Cover: Mikhailovsky (Voronstov) Bridge, Tbilisi, Georgia. Photograph by Dmitrii Ermakov. State Archives of Georgia / Wikimedia Commons.

Modernism/modernity

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Volume 21, Number 1, January 2014

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Modernism/modernity focuses on the methodological, archival, and theoretical approaches particular to modernist studies. It encourages an interdisciplinary approach linking music, architecture, the visual arts, literature, and social and intellectual history. The journal's broad scope fosters dialogue about the history of modernism and its relations to modernization. Each issue features a selection of essays as well as book reviews. Additional articles and other peer-reviewed formats appear on the journal's Print Plus platform (modernismmodernity.org). Modernism/modernity is the official journal of the Modernist Studies Association (MSA). Winner of six awards from CELJ.

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Johns Hopkins University Press

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Volume 21, Number 1, January 2014

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Beckett’s Speaking Machines: Sound, Radiophonics and Acousmatics

Emilie Morin

pp. 1-24

DOI: https://doi.org/10.1353/mod.2014.0000

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Buster Keaton’s Climate Change

Jennifer Fay

pp. 25-49

DOI: https://doi.org/10.1353/mod.2014.0006

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Shock and “Perfect Contemplation”: Dorothy Richardson’s Mystical Cinematic Consciousness

Jenelle Troxell

pp. 51-70

DOI: https://doi.org/10.1353/mod.2014.0012

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The Author as Arsonist: Henry James and the Paris Commune

Scott McCracken

pp. 71-87

DOI: https://doi.org/10.1353/mod.2014.0017

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On Not Reading Freud: Amateurism, Expertise, and the “Pristine Unconscious” in D.H. Lawrence

Jennifer Spitzer

pp. 89-105

DOI: https://doi.org/10.1353/mod.2014.0022

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Spectacular Distractions: P.T. Barnum and American Modernism

Mark Storey

pp. 107-123

DOI: https://doi.org/10.1353/mod.2014.0027

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At Midcentury: Elizabeth Bowen’s The Heat of the Day

Claire Seiler

pp. 125-145

DOI: https://doi.org/10.1353/mod.2014.0032

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Poetry, Physics, and the Scientific Attitude at Mid-Century

Peter Middleton

pp. 147-168

DOI: https://doi.org/10.1353/mod.2014.0004

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Dada Engineering

Arndt Niebisch

pp. 169-177

DOI: https://doi.org/10.1353/mod.2014.0010

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Gas Mask Parade: Japan’s Anxious Modernism

Gennifer Weisenfeld

pp. 179-199

DOI: https://doi.org/10.1353/mod.2014.0015

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Redactionary Global Modernism: Kisses in Imperial Japan

Jonathan E. Abel

pp. 201-229

DOI: https://doi.org/10.1353/mod.2014.0020

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From Aesthetics to Work: Displaying Indian Labor as Modernist Form in Mexico City and New York

Harper Montgomery

pp. 231-251

DOI: https://doi.org/10.1353/mod.2014.0025

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Stalin’s PowerPoint

Dennis Tenen

pp. 253-267

DOI: https://doi.org/10.1353/mod.2014.0030

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Decadent Style with a Symbolist Worldview: Andrei Bely, Dmitrii Merezhkovskii, and the Perils of Surfaces

Jonathan Stone

pp. 269-282

DOI: https://doi.org/10.1353/mod.2014.0002

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Introducing Georgian Modernism

Harsha Ram

pp. 283-288

DOI: https://doi.org/10.1353/mod.2014.0008

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A City of Poets: The Cultural Life of Tbilisi 1910–1930

Mzia Chikhradze

pp. 289-305

DOI: https://doi.org/10.1353/mod.2014.0013

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The Kimerioni: A Modernist Café in Tbilisi (1919–1921)

Tea Tabatadze

pp. 307-316

DOI: https://doi.org/10.1353/mod.2014.0018

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First Utterance

P’aolo Iashvili, Shota Papava, Harsha Ram

pp. 317-319

DOI: https://doi.org/10.1353/mod.2014.0023

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With Blue Drinking Horns

T’itsian T’abidze, Shota Papava, Harsha Ram

pp. 321-342

DOI: https://doi.org/10.1353/mod.2014.0028

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Decadent Nationalism, “Peripheral” Modernism: The Georgian Literary Manifesto between Symbolism and the Avant-garde

Harsha Ram

pp. 343-359

DOI: https://doi.org/10.1353/mod.2014.0033

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Cosmopolitan, Diasporic and Transnational: The Flourishing of Hebrew Modernism

Rachel S. Harris

pp. 361-368

DOI: https://doi.org/10.1353/mod.2014.0005

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German Modernity: From the Baroque to the Present with Walter Benjamin

Jessica Nitsche

pp. 369-373

DOI: https://doi.org/10.1353/mod.2014.0011

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Empire’s Wake: Postcolonial Irish Writing and the Politics of Modern Literary Form by Mark Quigley (review)

Laura Lovejoy

pp. 375-377

DOI: https://doi.org/10.1353/mod.2014.0016

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Twenty Years On: Competing Memories of the GDR in Postunification German Culture ed. by Renate Rechtien and Dennis Tate (review)

Susanne Baackmann

pp. 377-379

DOI: https://doi.org/10.1353/mod.2014.0021

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A Strong Song Tows Us: The Life of Basil Bunting by Richard Burton (review)

Annabel Haynes

pp. 379-381

DOI: https://doi.org/10.1353/mod.2014.0026

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Wallace Stevens, New York, and Modernism ed. by Lisa Goldfarb and Bart Eeckhout (review)

Joshua Kotin

pp. 381-383

DOI: https://doi.org/10.1353/mod.2014.0031

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Modernism and Magic: Experiments with Spiritualism, Theosophy and the Occult by Leigh Wilson (review)

Thomas Steinfeld

pp. 383-385

DOI: https://doi.org/10.1353/mod.2014.0003

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Icons in Time, Persons in Eternity: Orthodox Theology and the Aesthetics of the Christian Image by C. A. Tsakiridou (review)

Suzanne Hobson

pp. 385-387

DOI: https://doi.org/10.1353/mod.2014.0009

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Found Sculpture and Photography from Surrealism to Contemporary Art ed. by Anna Dezeuze and Julia Kelly (review)

Jo Applin

pp. 387-389

DOI: https://doi.org/10.1353/mod.2014.0014

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Latin American Modern Architectures: Ambiguous Territories ed. by Patricio del Real and Helen Gyger (review)

Timothy Hyde

pp. 389-390

DOI: https://doi.org/10.1353/mod.2014.0019

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American Modern: Hopper to O’Keeffe, MoMA, New York (review)

Caroline Blinder

pp. 391-395

DOI: https://doi.org/10.1353/mod.2014.0024

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La Poison dir. by Sacha Guitry (review)

Melanie Conroy

pp. 397-400

DOI: https://doi.org/10.1353/mod.2014.0029

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Fear and Desire dir. by Stanley Kubrick (review)

Bruce Isaacs

pp. 400-402

DOI: https://doi.org/10.1353/mod.2014.0001

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Recent Books of Interest

pp. 403-405

DOI: https://doi.org/10.1353/mod.2014.0007

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Volume 20, Number 4, November 2013

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Volume 21, Number 2, April 2014

Additional Information
ISSN	1080-6601
Print ISSN	1071-6068
Launched on MUSE	2014-03-05
Open Access	No

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