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Leonardo

In this Issue

Volume 32, Number 4, August 1999

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Leonardo, founded in 1968, has become an international channel of communication for artists who use science and developing technologies in their work. With emphasis on the artists' writings, Leonardo is the leading international journal for readers interested in the application of contemporary science and technology in their work. The companion annual journal, Leonardo Music Journal (LMJ) features the latest in music, multimedia art, sound science and technology.

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The MIT Press

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Volume 32, Number 4, August 1999

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Leonardo Electronic Almanac

Craig Harris, Patrick Maun

pp. 245-247

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Leonardo Electronic Almanac

Patrick Maun

pp. 249-253

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Lea Abstracts

Stephen Wilson, Rogala Miroslaw, Paul Hertz, Maureen Nappi, Eduardo Kac, Josephine Anstey, Nathania Vishnevsky

pp. 255-256

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Extended Musical Interface with the Human Nervous System: Assessment and Prospectus

David Rosenboom

p. 257

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Towards A Transformative Set-Up: The Art and Virtual Environments Program at the Banff Center for The Arts

Michael Century, Thierry Bardini

pp. 257-259

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Lucid Mapping: Information Landscaping and Three-Dimensional Writing Spaces

Matthew Kirschenbaum

pp. 261-268

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Difference Engine #3

Lynn Hershman

pp. 269-270

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Queenly Gestures: A Living Art Object

Charles A. Csuri

pp. 270-271

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Design and Deforestation

David C. Stairs

pp. 273-279

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Making Connections: A Model for On-Line Interaction

Susan E. Metros

pp. 281-291

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Geometric Mobiles: From Conceptualization of Motion in Space to Rational Design

Mooson Kwauk

pp. 293-298

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The Aesthetic Status of Technological Art, Part 2

Jacques Mandelbrojt

pp. 301-302

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How New is Technological Art?

Jean-Paul Allouche

p. 303

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The Pencil and the Mouse

Jacques Mandelbrojt

pp. 303-304

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The Digital Computer as an Instrument of Musical Creation: 1957–1997

Luc Rondeleux

p. 305

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Do All Roads Really Lead to CD-ROM?

Michel Mendès France

p. 306

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The Functional Point of View: New Artistic Forms for Programmed Literary Works

Philippe Bootz, Françoise Verrier

pp. 307-316

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Sound Material: A New Reception

Pascal Gobin

pp. 317-323

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Looking at Paintings: Patterns of Eye Movements in Artistically Naïve and Sophisticated Subjects

Stine Vogt

p. 325

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A Study of Audience Relationships with Interactive Computer-Based Visual Artworks

Beryl Graham

pp. 326-328

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Leonardo On-Line Bibliographies

George Gessert, Roy R. Behrens, Annick Bureaud, Annick Bureaud, James Harley

pp. 329-330

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Your Future Self: A Journey To The Frontiers Of Molecular Medicine by Hank Whittenmore (review)

István Hargittai

p. 331

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The Grid: Blueprint for a New Computing Infrastructure ed. by Ian Foster and Carl Kesselman (review)

Curtis E.A. Karnow

p. 331

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The XML & SGML Cookbook: Recipes for Structured Information by Rick Jelliffe (review)

Kasey Rios Asberry

p. 332

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The Eat-A-Bug Cookbook: 33 Ways To Cook Grasshoppers, Ants, Waterbugs, Spiders, Centipedes, And Their Kin by David George Gordon (review)

Roy R. Behrens

pp. 332-333

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A Typographic Workbook: A Primer to History, Techniques and Artistry by Kate Clair (review)

Roy R. Behrens

p. 333

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Great Artists by Robert Cumming (review)

Roy R. Behrens

p. 333

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Women, Surrealism and Self-Representation (review)

Sonya Rapoport, Barbara Lee Williams

pp. 333-335

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Experimental Arts (review)

Mikhail S. Zalivadny

p. 335

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The Touch Festival (review)

Rahma Khazam

pp. 335-336

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Art on Film/Film on Art (review)

Roy R. Behrens

p. 336

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The Films of Charles and Ray Eames, and: 901: After 45 Years of Working: A Film by Eames Demetrios by Pyramid Media (review)

Roy R. Behrens

p. 336

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The Mathematics of Architecture: Building by Numbers (review)

Roy R. Behrens

p. 337

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Leonardo Digital Reviews

p. 338

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The Next Computer Art

Gary R. Greenfield

pp. 339-343

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In Memoriam

p. 343

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Leonardo/ISAST News

Andrea Blum

pp. 345-346

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Materials Received

p. 337

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Previous Issue

Volume 32, Number 3, June 1999

Next Issue

Volume 32, Number 5, October 1999

Additional Information
ISSN	1530-9282
Print ISSN	0024-094X
Launched on MUSE	2017-01-04
Open Access	No

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