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Leonardo

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Volume 6, Number 3, Summer 1973

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Leonardo, founded in 1968, has become an international channel of communication for artists who use science and developing technologies in their work. With emphasis on the artists' writings, Leonardo is the leading international journal for readers interested in the application of contemporary science and technology in their work. The companion annual journal, Leonardo Music Journal (LMJ) features the latest in music, multimedia art, sound science and technology.

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The MIT Press

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Volume 6, Number 3, Summer 1973

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On Teaching a Fundamental Sculpture Course

Peter Lipman-Wulf

pp. 193-197

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Relating Art to Science and Technology: An Educational Experiment at the Massachusetts Institute of Technology (M.I.T.)

Robert Preusser

pp. 199-206

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Acrylic Sculpture

John Safer

pp. 207-212

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Projective Geometry in the Colour Drawings of H. P. Nightingale

Charles Nightingale

pp. 213-217

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The Social Challenge to Art in America

Gifford Phillips

pp. 219-225

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Urban Sculpture: A Kind of Therapy

Peter F. Smith

pp. 227-232

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On Gibson’s and Goodman’s Accounts of Depiction

Dennis Couzin

pp. 233-235

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Paintings on Themes Taken from Astronautics

Hans-Gunther Cremers, Anna C. Funk

pp. 237-238

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Aspects of Reality in my Paintings

Stephen Greene

pp. 239-240

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Spacichromes: Stabiles of Colored Glass

Jacques Gruber

pp. 241-242

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On Sculpture and Architecture

Henry Moore, Dolores Mitchell

pp. 243-246

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Sociology of the Tension Between Culture and Science at the Level of Rapid Transition

Mikhail Drobyshev

pp. 247-255

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Notes on Soviet Aesthetics

N. Goncharenko

pp. 257-260

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Terminology

pp. 261-262

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Order and Life by Joseph Needham (review)

Stephen Jay Gould

p. 267

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Mind and Brain: A Philosophy of Science by Arturo Rosenblueth, and: Man and Memory:Breakthroughs in the Science of the Human Mind by D. S. Halacy, Jr (review)

David Rosenboom

pp. 267-268

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Problem Solving and Creativity in Individuals and Groups by Norman R. F. Maier (review)

Florence Vidal

pp. 268-269

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Magnetism: An Introductory Survey by E. W. Lee (review)

Peter M. Levy

p. 269

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Cybernetics by F.H. George (review)

Michael Holt

pp. 269-270

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Holography by H. Arthur Klein (review)

Margaret Benyon

p. 270

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Art and Society 1: War by Ken Baynes, and: Art and Society 2: Work by Ken Baynes and Alan Robinson (review)

Alfonz Lengyel

p. 271

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The Art of Black Africa by Elsy Leuzinger (review)

Jack D. Flam

pp. 271-272

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Interaction of Color by Josef Albers (review)

Arthur Karp

p. 272

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The Elements of Drawing by John Ruskin, and: Drawing Systems by Fred Dubery and John Willats (review)

Rod Hackney

pp. 272-273

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Anatomy and Perspective by Charles Oliver, Anatomy for Artists by Frederic Taubes, Dynamic Anatomy by Burne Hogarth, Drawing the Human Head by Burne Hogarth, Anatomy and Drawing by Victor Perard (review)

Norman Narotzky

pp. 273-274

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The Tamarind Book of Lithography: Art and Technique by Garo Antreasian and Clinton Adams (review)

Marcel Salinas

pp. 274-275

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The Technique of Kinetic Art by John Tovey (review)

David Smith

p. 275

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Change in Art Education by Dick Field (review)

Peter Lipman-Wulf

p. 276

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Practical Gemstone Craft by Helen Hutton (review)

Jehangir S. Bhownagary

p. 277

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Scrimshaw by Carson I. A. Ritchie (review)

Winefride Wilson

pp. 277-278

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A Collector’s Guide to Prints and Printmakers, from Dürer to Picasso by F. Salamon (review)

Carson I. A. Ritchie

p. 278

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Letters

pp. 281-287

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The Visual Artist and the Law, and: Art Censorship: A Chronology of Proscribed and Prescribed Art by Jane Clapp (review)

Ira M. Low, James J. McGillan

pp. 276-277

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Books Received

pp. 278-279

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Previous Issue

Volume 6, Number 2, Spring 1973

Next Issue

Volume 6, Number 4, Autumn 1973

Additional Information
ISSN	1530-9282
Print ISSN	0024-094X
Launched on MUSE	2017-01-04
Open Access	No

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