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Leonardo

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Volume 8, Number 2, Spring 1975

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Leonardo, founded in 1968, has become an international channel of communication for artists who use science and developing technologies in their work. With emphasis on the artists' writings, Leonardo is the leading international journal for readers interested in the application of contemporary science and technology in their work. The companion annual journal, Leonardo Music Journal (LMJ) features the latest in music, multimedia art, sound science and technology.

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The MIT Press

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Volume 8, Number 2, Spring 1975

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Kinetic Art: On My Psychokinematic Objects

Frederick S. Duncan

pp. 97-101

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Glass Sculptures with and without Special Electric Light Illumination and with Op Art Effects

Eric Hilton

pp. 103-107

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Electric Light as a Medium in the Visual Fine Arts: A Memoir

Frank J. Malina

pp. 109-120

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On the University as the Best Environment for Training Artists

August L. Freundlich

pp. 121-124

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From Contrast to Assimilation: In Art and in the Eye

Dorothea Jameson, Leo M. Hurvich

pp. 125-131

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Sculpture: Erotikons and Idolons

Nina Holton

pp. 133-135

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On the Creative Experiences of Beholders of Visual Art

Erika Landau

pp. 136-138

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Some Proposals for Art Objects in Extraterrestrial Space

Albert Notarbartolo

pp. 139-141

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Audio-Kinetic Art with Laser Beams and Electronic Systems

Stanislaw Ostoja-Kotkowski

pp. 142-144

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On Diversity in Visual Art

Charles Pulsford

pp. 145-147

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My Transformable Structures Based on the Möbius Strip

Enrique Carbajal G. Sebastian

pp. 148-149

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On the Development of My Non-figurative Paintings and Constructions

Alan Turner

pp. 150-152

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Some Remarks on Visual Fine Art in the Age of Advanced Technology

Herbert W. Franke

pp. 153-154

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Neurosis and the Artist

Richard Wollheim

pp. 155-157

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Terminology

p. 158

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International Science-Art News

John H. Holloway, Trevor R. Tolhurst

pp. 159-162

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Aesthetics for the Contemporary Artist

Elmer H. Duncan

pp. 163-166

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The Paradoxical Nature of Reality by George Melhuish (review)

Eric Toms

p. 167

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Concepts of Modern Physics by Arthur Beiser, and: The Physical Universe by Konrad B. Krauskopf, Arthur Beiser (review)

Grace Marmor Spruch

p. 168

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Cults of Unreason by Christopher Evans (review)

Lawrence E. Jerome

p. 168

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Cultural Policy in the Federal Republic of Germany (review)

Gerhard Charles Rump

p. 169

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Cultural Policy in Iran by Djamchid Behnam (review)

Fazlollah Reza

p. 169

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Cultural Policy in Sri Lanka by H. H. Bandara (review)

Ellen Dissanayake

p. 169

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The Concept of Expression: A Study in Philosophical Psychology and Aesthetics by Alan Tormey, and: Mind and Art: An Essay on the Varieties of Expression by Guy Sircello (review)

Hilde Hein

pp. 169-170

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Literature as Art: A Reader ed. by R. Britsch, T. Britsch, G. W. Bell (review)

Annette Gadney

pp. 170-171

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Creativity and Intuition: A Physicist Looks at East and West by Hideki Yukawa (review)

Harold K. Hughes

p. 172

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Sartre and the Artist by George Howard Bauer (review)

Laurence Gane

p. 172

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Wood Engravings and Drawings of Iain Macnab of Bara-chastlain by Albert Garrett (review)

Doreen Walker

p. 173

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Nuba Personal Art by James C. Faris, and: Self-Decoration in Mount Hagen by Andrew, Marilyn Strathern, and: Bangwa Funerary Sculpture by Robert Brain, Adam Pollock, and: House Decoration in Nubia by Marian Wenzel (review)

Jack D. Flam

p. 173

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Mind and Context in the Art of Drawing by Kenneth Beittel (review)

John Scott Willson

pp. 173-174

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Introducing Abstract Printmaking by Robin Capon (review)

Sean O’Driscoll

p. 174

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Plastics as Design Form by Thelma R. Newman, and: Plastics for Artists and Craftsmen by Harry B. Hollander (review)

Peggy Goldstein

p. 174

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Italy: The New Domestic Landscape: Achievements and Problems of Italian Design ed. by Emilio Ambasz (review)

Donald J. Bush

pp. 174-175

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American Architecture Comes of Age: European Reaction to H. H. Richardson and Louis Sullivan by Leonard K. Eaton, and: The Anti-Rationalists ed. by Nikolaus Pevsner, J. M. Richards (review)

Eric G. Carlson

pp. 175-176

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Art Students Observed by Charles Madge, Barbara Weinberger (review)

Roy Ascott

p. 176

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Art in Perspective: A Brief History by Henri Dorra, and: Purposes of Art by Albert E. Elsen (review)

Barron M. Hirsch

pp. 176-177

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Children and Their Art: Methods for the Elementary School by Charles D. Gaitskell, Al Hurwitz (review)

John F. Mee

p. 177

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New Unesco Source Book for Science Teaching (review)

Constance E. Wagar

pp. 177-178

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The Penguin Dictionary of Science by E. B. Uvarov, and: Glossary of Art, Architecture and Design since 1945 by John A. Walker, and: A Dictionary of Art & Artists by Peter, Linda Murray, and: Phaidon Dictionary of Twentieth-Century Art (review)

p. 178

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Shepherd’s Glossary of Graphic Signs and Symbols by Walter Shepherd (review)

G. A. Agoston

p. 178

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Kinetic Art: Theory and Practice—Selections from the Journal Leonardo ed. by Frank J. Malina (review)

Marc Bornstein

pp. 178-179

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Letters

Jean-Claude Pecker, Lin Emery, John M. Kennedy, Reg Gadney, Herbert W. Franke, Stella A. Walker, Elsa H. Fine

pp. 181-184

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Studies and Documents on Cultural Policies Series (review)

pp. 168-169

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Leonardo: A Study in Chronology and Style by Carlo Pedretti (review)

Raymond S. Stites

pp. 171-172

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Books Received

pp. 179-180

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Previous Issue

Volume 8, Number 1, Winter 1975

Next Issue

Volume 8, Number 3, Summer 1975

Additional Information
ISSN	1530-9282
Print ISSN	0024-094X
Launched on MUSE	2017-01-04
Open Access	No

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