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HTTP/1.1 200 OK Date: Sun, 05 Oct 2025 12:50:33 GMT Server: Apache Set-Cookie: session=134.209.151.76.1759668633594717; path=/ Vary: Accept-Encoding Content-Encoding: gzip Content-Length: 32747 Content-Type: text/html; charset=utf-8 Project MUSE - The Moving Image-Volume 13, Number 2, Fall 2013

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Front Cover: Cover design by Jeenee Lee
Cover image from The World Is Ours. William K. Everson Collection, New York University

The Moving Image

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Volume 13, Number 2, Fall 2013

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The Moving Image is an exciting new journal that deals with crucial issues surrounding the preservation and restoration of film, television, video, and digital moving images. The journal offers detailed profiles of moving image collections, behind-the-scenes looks at the techniques used to preserve and restore moving images, and theoretical and visionary articles on the future of the field.

published by

University of Minnesota Press

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Volume 13, Number 2, Fall 2013

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The Revolution Will Be Archived: Cuba’s Noticiero ICAIC Latinoamericano

Mariana Johnson

pp. 1-21

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Wolper’s New Frontier: Studio Documentary in the Kennedy Era

Josh Glick

pp. 22-55

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“I Have Seen the Future”: Home Movies of the 1939 New York World’s Fair

Caitlin McGrath

pp. 56-80

DOI: https://doi.org/10.5749/movingimage.13.2.0056

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What to do with a Coffin Full of Sugar: Gloria Swanson, Kenneth Anger, and Self-Authorship in the Star Collection

Anne Helen Petersen

pp. 81-98

DOI: https://doi.org/10.5749/movingimage.13.2.0081

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“The Entire Motion Picture Industry Presents”: The World Is Ours (1938)

Catherine Jurca

pp. 99-108

DOI: https://doi.org/10.5749/movingimage.13.2.0099

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A Companion to Early Cinema ed. by André Gaudreault, Nicolas Dulac, and Santiago Hidalgo (review)

Stephen Bottomore

pp. 109-112

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Moving Color: Early Film, Mass Culture, Modernism by Joshua Yumibe (review)

Luke McKernan

pp. 112-114

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Cinema’s Alchemist: The Films of Péter Forgács ed. by Bill Nichols and Michael Renov (review)

William C. Wees

pp. 115-118

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Die Nibelungen (1924) (review)

Robert Byrne

pp. 118-121

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Tokyo Drifter (1966), and: Branded to Kill (1967) (review)

Hiroshi Kitamura

pp. 122-124

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The War Room (1993) (review)

Jill Kozeluh

pp. 124-127

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Wunderkino 2.0: On the Varieties of the Cinematic Experience: Northeast Historic Film Summer Symposium July 26–28, 2012, Bucksport, Maine

Leo Goldsmith

pp. 127-129

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Call for Proposals: The Moving Image 15, no. 1—Special Issue: Restoring Color

p. 130

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Editors’ Foreword

Donald Crafton, Susan Ohmer

pp. vii-ix

DOI: https://doi.org/10.5749/movingimage.13.2.0vii

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Previous Issue

Volume 13, Number 1, Spring 2013

Next Issue

Volume 14, Number 1, Spring 2014

Additional Information
ISSN	1542-4235
Print ISSN	1532-3978
Launched on MUSE	2013-12-21
Open Access	No

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