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In this Issue
Leonardo, founded in 1968, has become an international channel of communication for artists who use science and developing technologies in their work. With emphasis on the artists' writings, Leonardo is the leading international journal for readers interested in the application of contemporary science and technology in their work. The companion annual journal, Leonardo Music Journal (LMJ) features the latest in music, multimedia art, sound science and technology.
published by
The MIT Pressviewing issue
Volume 17, Number 1, January 1984Table of Contents

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View Summary of Art and Technology: Innovations Report from the Twelfth International Sculpture Conference
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View Summary of Oil Painting: Traditional and New by Leonard Brooks, and: Controlled Painting: A Sound Approach to Realistic Painting in Oil and Acrylics by Frank Covino (review)
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View Summary of Stained Glass—A Guide to Information Sources. Vol. 10 ed. by Darlene Brady, William Serban (review)
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View Summary of L’Architecture de Survie: Ou Invente Aujourd’hui le Monde de Demain by Yona Friedman (review)
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View Summary of In Defense of Narcissism: The Creative Self in Search of Meaning by Carl Goldberg (review)
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View Summary of Mapping Information: The Graphic Display of Quantitative Information by Howard T. Fisher (review)
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View Summary of The Fourth Dimension and Non-Euclidian Geometry in Modern Art by Linda Dalrymple Henderson (review)
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View Summary of Brucken … Asthetik und Gestaltung (Bridges … Aesthetics and Design) by Fritz Leonhardt (review)
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View Summary of On American Art During ’30s and ’40s. Abstract Expressionism: The Formative Years by Robert Carleton Hobbs, Gail Levin (review)
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View Summary of Variations in Watercolor by Naomi Brotherton and Lois Marshall, and: Controlled Watercolor Painting by Leo Stoutsenberger (review)
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View Summary of Cambridge Introduction to the History of Art: The Twentieth Century by Rosemary Lambert (review)
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ISSN | 1530-9282 |
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Print ISSN | 0024-094X |
Launched on MUSE | 2017-01-04 |
Open Access | No |
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