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Front Cover: Nicolas Schöffer, Ordigraphic, Le Rouge et le Noir, computer graphics, laser and ink on Canson paper, 270 x 385 mm, 1989. This work belongs to a period of research consecrated to 'surface and space' and combines contemporary techniques, such as the computer and laser printer (Macintosh SE with Superpaint Prefs and Mac Draw plus a Laser Writer II), and the left hand of the artist, who recently lost the use of his right hand. This research intends to reveal the infinite dynamic possibilities of a simple surface.
In this Issue
Leonardo, founded in 1968, has become an international channel of communication for artists who use science and developing technologies in their work. With emphasis on the artists' writings, Leonardo is the leading international journal for readers interested in the application of contemporary science and technology in their work. The companion annual journal, Leonardo Music Journal (LMJ) features the latest in music, multimedia art, sound science and technology.
published by
The MIT Pressviewing issue
Volume 23, Number 4, Autumn 1990Table of Contents
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View Summary of Regency Graphics and the Esthetics Laboratory: Picture Generation by Point-Distinction and Pseudodistance-Minimizing
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Regency Graphics and the Esthetics Laboratory: Picture Generation by Point-Distinction and Pseudodistance-Minimizing
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View Summary of The Natural Flow of Perspective: Reformulating Perspective Projection for Computer Animation
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View Summary of The Transcendental Machine? A Comparison of Digital Photography and Nineteenth-Century Modes of Photographic Representation
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The Transcendental Machine? A Comparison of Digital Photography and Nineteenth-Century Modes of Photographic Representation
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View Summary of Optical Music in Altered Space: The Design and Function of the Variable form Abstract Image Reflector
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Optical Music in Altered Space: The Design and Function of the Variable form Abstract Image Reflector
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View Summary of Beauty and the Brain: Biological Aspects of Aesthetics ed. by David Epstein, Barbara Herzberger, and Ingo Rentschler (review)
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Beauty and the Brain: Biological Aspects of Aesthetics ed. by David Epstein, Barbara Herzberger, and Ingo Rentschler (review)
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View Summary of Sveto-Muzykalnye Instrumenty (Light-Musical Instruments) by B. M. Galeev, S. M. Zorin, and R. F. Saifullin (review)
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Sveto-Muzykalnye Instrumenty (Light-Musical Instruments) by B. M. Galeev, S. M. Zorin, and R. F. Saifullin (review)
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View Summary of On the Wires of Our Nerves: The Art of Electroacoustic Music by Robin Julian Heifetz (review)
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View Summary of Comment On “Spatial-Synesthetic Art Through 3-D Projection: The Requirements Of A Computer-Based Supermedium”
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Comment On “Spatial-Synesthetic Art Through 3-D Projection: The Requirements Of A Computer-Based Supermedium”
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View Summary of Comment On “Spatial-Synesthetic Art Through 3-D Projection: The Requirements Of A Computer-Based Supermedium”
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| ISSN | 1530-9282 |
|---|---|
| Print ISSN | 0024-094X |
| Launched on MUSE | 2017-01-04 |
| Open Access | No |
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