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Front Cover: Madhoor Kapur, Two Buttons for One Light, ink and acrylic on paper, 128 X 90 mm, 1988. Are we living in a uselessly overtechnologized world?

Leonardo

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Volume 24, Number 1, February 1991

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Leonardo, founded in 1968, has become an international channel of communication for artists who use science and developing technologies in their work. With emphasis on the artists' writings, Leonardo is the leading international journal for readers interested in the application of contemporary science and technology in their work. The companion annual journal, Leonardo Music Journal (LMJ) features the latest in music, multimedia art, sound science and technology.

published by

The MIT Press

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Volume 24, Number 1, February 1991

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Leonardo’s Unity of Artistic and Scientific Ideas

Aleksandra Mańczak, Adam Sumera

pp. 1-2

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Gateway

Randall A. Stickrod, Roger F. Malina, Denise E. M. Penrose

pp. 3-5

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Influences and Motivations in the Work of a Palestinian Artist/Inventor

Vladimir Faik Tamari

pp. 7-14

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Hair Salon TV: A Computer-Controlled Video Installation

Nancy Paterson

pp. 15-17

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Transportable Neon Equipment for the Light Sculptor

Christian Schiess, Peter Richards

pp. 19-22

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Drawing with Sound

Karen Frimkess Wolff

pp. 23-29

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Patterns in Pictures for Art and Science

David Phillips

pp. 31-39

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Musical-Kinetic Art in the USSR

Bulat M. Galeyev

pp. 41-47

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Why Artists Should Program

Craig Hickman

pp. 49-51

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Compound Tilings and Perfect Colourings

J. F. Rigby

pp. 53-62

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Art on a Two-Dimensional Flame Table

Harold A. Daw

pp. 63-65

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Science and Beauty: Aesthetic Structuring of Knowledge

Mihai Nadin

pp. 67-72

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Outer Space and Inner Space

Rudolf Arnheim

pp. 73-74

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From Knowledge to Visual Creation: Some Information about the Department of Visual Knowledge at the Academy of Fine Arts in Wroclaw, Poland

Janusz Grzonkowski

p. 75

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A Course on Art and Science Delivered at the Université de Provence

Jacques Mandelbrojt

pp. 76-78

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Chez Arc-En-Ciel

Sydney Cash

p. 79

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Faster!

Arthur M. Ganson

pp. 79-80

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Windchyme

Russell Herrman

pp. 80-81

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Team Illusion

David B. Hickman

p. 81

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Aurora Variant

Jerome Kirk

p. 81

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Tall Boy

O. Evan Lewis

pp. 81-82

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Garbage

Robert Mulder, Kristi Allik

p. 82

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Nose Wazoo

Jim Pallas

p. 83

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’Scape

Mamoru Sato

pp. 83-84

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Labyrinthe De Lumière

Austine Wood-Comarow

pp. 84-86

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Specimen UI2 (The American Rat Race)

Nancy Worthington, Judith Fein

p. 86

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The Odyssey

Fortner Anderson

p. 87

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Speakers’ Corners

Benoit Maubrey, Judy Malloy

p. 87

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Huge Uterus

Lutz Bacher

p. 87

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Elegba’s Stratagem

Collis Davis

pp. 87-88

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We Make Memories

Abbe Don

p. 88

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Living Cinema

Robert Edgar

p. 88

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The Electronic Diary

Lynn Hershman

p. 88

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Bird Dance

Christopher Janney

p. 88

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Five Knitted Fractals

Eleanor Kent

pp. 88-89

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Invisible Cities

Michael McNabb

p. 89

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Wringer/Washer TV

Nancy Paterson

p. 89

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From Osiris to Sinai

Sonya Rapoport

pp. 89-90

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Early Programming: An Interactive Installation

Sara Roberts

p. 90

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Diagram Poems, Intergrams

Jim Rosenberg

pp. 90-91

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ArtEngine

Fred Truck

p. 91

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The Science of Art: Optical Themes in Western Art From Brunelleschi to Seurat by Martin Kemp (review)

Rudolf Arnheim, Elizabeth Crumley

pp. 92-93

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Computers, Pattern, Chaos and Beauty: Graphics From an Unseen World by Clifford A. Pickover (review)

Roger F. Malina

pp. 93-94

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A Fuller Explanation: The Synergetic Geometry of R. Buckminster Fuller by Amy C. Edmondson, and: Buckminster Fuller’s Universe: An Appreciation by Lloyd Steven Sieden (review)

István Hargittai

pp. 94-95

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Toward an Aesthetic Criticism of Technology by Wolhee Choe (review)

Roger F. Malina

pp. 95-96

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Response to Review of Toward an Aesthetic Criticism of Technology Comment by Wolhee Choe (review)

Wolhee Choe

pp. 96-97

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The Real Thing: Imitation and Authenticity in American Culture, 1880–1940 by Miles Orvel (review)

David Pariser

pp. 97-98

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The Sackbut Blues by Gale Young (review)

Larry Polansky

p. 98

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The Beauty of Light by Ben Bova (review)

Joy Turner Luke

p. 98

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Comment on “On the Aesthetics of Sierpinski Gaskets Formed from Large Pascal’s Triangles”

Akhlesh Lakhtakia, Elizabeth Crumley

p. 102

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Comment on “How I Came to Paint the Crab Nebula: The Development of Cosmic Themes in My Oil Paintings”

Alicia Faxon

pp. 102-103

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Comment on “The Meteorological Odyssey of Vincent van Gogh”

Ursula Seibold

p. 103

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Response to Ursula Seibold’s Comment

Stanley David Gedzelman

pp. 103-104

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Correction

p. 104

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Books Received

p. 99

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Previous Issue

Volume 23, Number 4, Autumn 1990

Next Issue

Volume 24, Number 2, April 1991

Additional Information
ISSN	1530-9282
Print ISSN	0024-094X
Launched on MUSE	2017-01-04
Open Access	No

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