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Front Cover: Paul Brown, Ceiling Detail from the House of Signs, digital image, 1996. This image continues a study into tiling patterns that the artist began 25 years ago. The image is composed from a single, simple square tile that is permutated in a five-by-five matrix. The title takes its name from a work in progress called The House of Signs, which is a virtual environment that can be decoded and explored via signs embedded in the decorative features of rooms encountered by the participant. This is a ceiling panel from the entrance lobby. Its design was influenced by stamped metal ceiling decorations that are common in Australian colonial architecture.
In this Issue
Leonardo, founded in 1968, has become an international channel of communication for artists who use science and developing technologies in their work. With emphasis on the artists' writings, Leonardo is the leading international journal for readers interested in the application of contemporary science and technology in their work. The companion annual journal, Leonardo Music Journal (LMJ) features the latest in music, multimedia art, sound science and technology.
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The MIT Pressviewing issue
Volume 29, Number 3, June 1996Table of Contents

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View Summary of Laziza Videodance and Lumia Project: The Intersection of Dance, Technology and Performance Art
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View Summary of Immersed in Technology: Art and Virtual Environments ed. by Mary Anne Moser, Douglas MacLeod (review)
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View Summary of The Spirit of Computer Animation: The World of Electronic Images and Levels of Consciousness by Alexey M. Orlov (review)
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View Summary of Past as Precedent: Some Thoughts on Novel Approaches to the Nexus of Digital Technologies and the Arts
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ISSN | 1530-9282 |
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Print ISSN | 0024-094X |
Launched on MUSE | 2017-01-04 |
Open Access | No |
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Copyright © The International Society for the Arts, Sciences and Technology (ISAST), the owner
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