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Front Cover: The Couch, Tina Keane, Tyrone Messiah, Andrea Zimmerman, & Rachel Armstrong.

Leonardo

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Volume 31, Number 5, October 1998

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Leonardo, founded in 1968, has become an international channel of communication for artists who use science and developing technologies in their work. With emphasis on the artists' writings, Leonardo is the leading international journal for readers interested in the application of contemporary science and technology in their work. The companion annual journal, Leonardo Music Journal (LMJ) features the latest in music, multimedia art, sound science and technology.

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The MIT Press

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Volume 31, Number 5, October 1998

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Color Plate

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Autonomous Creations: Birthing Intelligent Agents

Timothy Binkley

pp. 333-336

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Bytes and Zeitgeist: Digitizing the Cultural Landscape

Steve Tomasula

pp. 337-344

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Office Plant #1: Intimate Space and Contemplative Entertainment

Marc Bohlen, Michael Mateas

pp. 345-348

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Digital Media, Artificial Life, and Postclassical Cinema: Condition, Symptom, or a Rhetoric of Funding?

Michael Punt

pp. 349-356

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Automata: Seeing Cyborg Through the Eyes of Popular Culture, Computer-Generated Imagery, and Contemporary Theory

Adam I. Bostic

pp. 357-361

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If We Are Digital: Crossing the Boundaries

Charles H. Traub, Jonathan Lipkin

pp. 363-366

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A Brief History of Japanese Robophilia

Mark Gilson

pp. 367-369

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Special Section: Artificial Life Art

Ken Rinaldo

p. 370

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Technology Recapitulates Phylogeny: Artificial Life Art

Kenneth E. Rinaldo

pp. 371-376

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Tom Ray’s Hammer: Emergence and Excess in A-Life Art

Mitchell Whitelew

pp. 377-381

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Life as We Know It and/or Life as It Could Be: Epistemology and the Ontology/Ontogeny of Artificial Life

Edward A. Shanken

pp. 383-388

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The Cyberbiological Worlds of Nerve Garden: A Test Bed for VRML 2.0

Bruce Damer

pp. 389-392

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Living Sculpture: The Art and Science of Creating Robotic Life

Yves AMU Klein

pp. 393-396

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As Art Is Lifelike: Evolution, Art, and the Readymade

Nell Tenhaaf

pp. 397-404

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The Flock

Kenneth E. Rinaldo

pp. 405-407

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The Extra-Sensitized Environment

Kirsten Solberg

p. 408

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Exhibiting Artists

pp. 409-410

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Computer Animations

pp. 412-431

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Following That Vital Journey

Jacquelyn Ford Morie

p. 413

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Gallery Artworks

pp. 432-463

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Sight Line: For Mona Lisa

Barbara Nessim

p. 433

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Net-Works

pp. 464-474

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Artists’ Statement: Live Space and Simulation (Inside the Surface), 1997

Georg Mühleck

p. 471

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Case Study 309, 1997

Tammy Knipp

p. 476

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The Key_Bored_Lounge, 1998

Beth Carey

p. 476

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Vanitas, 1997

Marilyn Waligore

p. 477

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Meta-Fly, 1998

Patricia Espinosa

p. 477

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Fired, 1998

Greg Boozell

p. 478

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Bathysphere, 1998

Shin Ping Chen

p. 478

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Evolved Pear, 1997

Patricia Swain

p. 479

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The Jury

p. 480

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Leonardo/ISAST NEWS

pp. 481-482

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Digital Salon Chair’s Statement

Bruce Wands

p. ii

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Previous Issue

Volume 31, Number 4, August 1998

Next Issue

Volume 32, Number 1, February 1999

Additional Information
ISSN	1530-9282
Print ISSN	0024-094X
Launched on MUSE	2017-01-04
Open Access	No

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