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Front Cover: Marianne Brandt, “Das Atelier in der Kugel.” © 2013 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. Reproduction, including downloading of Marianne Brandt works is prohibited by copyright laws and international conventions without the express written permission of Artists Rights Society (ARS), New York.
In this Issue
Modernism/modernity focuses on the methodological, archival, and theoretical approaches particular to modernist studies. It encourages an interdisciplinary approach linking music, architecture, the visual arts, literature, and social and intellectual history. The journal's broad scope fosters dialogue about the history of modernism and its relations to modernization. Each issue features a selection of essays as well as book reviews. Additional articles and other peer-reviewed formats appear on the journal's Print Plus platform (modernismmodernity.org). Modernism/modernity is the official journal of the Modernist Studies Association (MSA). Winner of six awards from CELJ.
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Johns Hopkins University Pressviewing issue
Volume 20, Number 2, April 2013Table of Contents
One Man's Meat is Another Man's Poetry: Masculinity And Metaphor in the Work of Vladimir Maiakovskii

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View The Worlds of Langston Hughes: Modernism and Translation in the Americas by Vera M. Kutzinski (review)
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View Purple Passages: Pound, Eliot, Zukofsky, Olson, Creeley, and the Ends of Patriarchal Poetry by Rachel Blau DuPlessis (review)
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View Painted Men in Britain, 1868-1918: Royal Academicians and Masculinities by Jongwoo Jeremy Kim (review)
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View The Promise of Memory: Childhood Recollection and Its Objects in Literary Modernism by Lorna Martens (review)
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View Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno by Miriam Bratu Hansen (review)
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View Cultivating the Masses: Modern State Practices and Soviet Socialism, 1914-1939 by David L. Hoffmann (review)
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ISSN | 1080-6601 |
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Print ISSN | 1071-6068 |
Launched on MUSE | 2013-06-27 |
Open Access | No |
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