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Front Cover:
The three images are from Kim Marra’s essay “Riding, Scarring, Knowing: A Queerly Embodied Performance Historiography.” Design by Gavin Semple.
In this Issue
Over seven decades, Theatre Journal has achieved an international reputation as one of the most significant publications of theatre and performance studies today. The journal features scholarly articles that are at the cutting edge of theatre, dance, and performance studies; focusing on historiographical, cultural, and/or theoretical analyses in both national and transnational contexts. Two special issues and two general issues are published each year; all issues include book and performance reviews. The journal also features an online section that includes interviews with artists, think pieces, and other alternative approaches to knowledge production. Theatre Journal is an official publication of the Association for Theatre in Higher Education (ATHE).
published by
Johns Hopkins University Pressviewing issue
Volume 64, Number 4, December 2012Table of Contents

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View The Drama of Marriage: Gay Playwrights/Straight Unions from Oscar Wilde to the Present (review)
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View Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance (review)
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View Feminist Visions and Queer Futures in Postcolonial Drama: Community, Kinship, and Citizenship (review)
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View Wendy and the Lost Boys: The Uncommon Life of Wendy Wasserstein, and: Reading the Plays of Wendy Wasserstein (review)
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View Look, I Made a Hat: Collected Lyrics (1981–2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany (review)
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Download Look, I Made a Hat: Collected Lyrics (1981–2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany (review)
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ISSN | 1086-332X |
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Print ISSN | 0192-2882 |
Launched on MUSE | 2012-01-03 |
Open Access | No |
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Copyright © The Johns Hopkins University Press.
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