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Front Cover: Front Cover: Actor Bryan Pringle as Nagg in the 1964 production of Endgame at the Aldwych Theatre, photograph by Reg Wilson, © Royal Shakespeare Company. Design by Doug James, Mode Design, York.
Back Cover: Back Cover: Beckett Leaving Riverside Studios, London, 1984, photograph by John Minihan.
In this Issue
Modernism/modernity focuses on the methodological, archival, and theoretical approaches particular to modernist studies. It encourages an interdisciplinary approach linking music, architecture, the visual arts, literature, and social and intellectual history. The journal's broad scope fosters dialogue about the history of modernism and its relations to modernization. Each issue features a selection of essays as well as book reviews. Additional articles and other peer-reviewed formats appear on the journal's Print Plus platform (modernismmodernity.org). Modernism/modernity is the official journal of the Modernist Studies Association (MSA). Winner of six awards from CELJ.
published by
Johns Hopkins University Pressviewing issue
Volume 18, Number 4, November 2011Table of Contents
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View Modern Manuscripts and Textual Epigenetics: Samuel Beckett's Works between Completion and Incompletion
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Modern Manuscripts and Textual Epigenetics: Samuel Beckett's Works between Completion and Incompletion
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View Impotence and Making in Samuel Beckett's Trilogy: "Molloy," "Malone Dies" and "The Unnamable." (review)
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Impotence and Making in Samuel Beckett's Trilogy: "Molloy," "Malone Dies" and "The Unnamable." (review)
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| ISSN | 1080-6601 |
|---|---|
| Print ISSN | 1071-6068 |
| Launched on MUSE | 2012-03-01 |
| Open Access | No |
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