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Front Cover: Cover design by Jeenee Lee
Cover image: Filmmaker Robbins Barstow holding a 16mm movie camera on the Disneyland Jungle Boat Cruise (1956). Courtesy Robbins Barstow.
In this Issue
The Moving Image is an exciting new journal that deals with crucial issues surrounding the preservation and restoration of film, television, video, and digital moving images. The journal offers detailed profiles of moving image collections, behind-the-scenes looks at the techniques used to preserve and restore moving images, and theoretical and visionary articles on the future of the field.
published by
University of Minnesota Pressviewing issue
Volume 11, Number 1, Spring 2011Table of Contents

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View Negotiating the Archives: The Natalie Kalmus Papers and the “Branding” of Technicolor in Britain and the United States
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View Going to the Movies in Paris, Around 1933: Film Culture, National Cinema, and Historical Method
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View Useful Cinema, Film Genres, and Screen Networks: The Story of Canadian Films Limited (1919–1920)
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View How the AMIA Scholarships and Fellowships Program Helped Pave the Way for a New Generation of Moving Image Archivists
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View Columbia Pictures Film Noir Classics I, and :Columbia Pictures Film Noir Classics II, and :Columbia Classics Bad Girls of Film Noir Volume 1, and :Columbia Classics Bad Girls of Film Noir Volume 2 (review)
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ISSN | 1542-4235 |
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Print ISSN | 1532-3978 |
Launched on MUSE | 2011-07-28 |
Open Access | No |
Copyright
Copyright © 2008 the Association of Moving Image Archivists.
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