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Front Cover: Frontispiece of The London Mathews; Containing an Account of this Celebrated Comedian’s Trip to America . . . (Philadelphia: Morgan & Yeager, 1824, courtesy of the Charles Deering McCormick Library of Special Collections, Northwestern University Library, Evanston, Illinois), from Tracy C. Davis’s essay, “Acting Black, 1824: Charles Mathews’s Trip to America.” Cover design by Gavin Semple.
In this Issue
Over seven decades, Theatre Journal has achieved an international reputation as one of the most significant publications of theatre and performance studies today. The journal features scholarly articles that are at the cutting edge of theatre, dance, and performance studies; focusing on historiographical, cultural, and/or theoretical analyses in both national and transnational contexts. Two special issues and two general issues are published each year; all issues include book and performance reviews. The journal also features an online section that includes interviews with artists, think pieces, and other alternative approaches to knowledge production. Theatre Journal is an official publication of the Association for Theatre in Higher Education (ATHE).
published by
Johns Hopkins University Pressviewing issue
Volume 63, Number 2, May 2011Table of Contents
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View Site-Specific Theatre and Political Engagement across Space and Time: The Psychogeographic Mapping of British Petroleum in Platform's And While London Burns
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Site-Specific Theatre and Political Engagement across Space and Time: The Psychogeographic Mapping of British Petroleum in Platform's And While London Burns
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View America's Longest Run: A History of the Walnut Street Theatre, and: Encore! The Renaissance of Wisconsin Opera Houses, and: The Golden Age of Indianapolis Theaters, and: A Theater of Our Own: A History and a Memoir of 1,001 Nights in Chicago (review)
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America's Longest Run: A History of the Walnut Street Theatre, and: Encore! The Renaissance of Wisconsin Opera Houses, and: The Golden Age of Indianapolis Theaters, and: A Theater of Our Own: A History and a Memoir of 1,001 Nights in Chicago (review)
- Save America's Longest Run: A History of the Walnut Street Theatre, and: Encore! The Renaissance of Wisconsin Opera Houses, and: The Golden Age of Indianapolis Theaters, and: A Theater of Our Own: A History and a Memoir of 1,001 Nights in Chicago (review)
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View Intra-Cultural Theater: Performing the Life of Black Migrants to Italy: Teatro dele Albe and the Performance of Ethnic Diversity acros Politics, News, Public Discourse, and Art (review)
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Intra-Cultural Theater: Performing the Life of Black Migrants to Italy: Teatro dele Albe and the Performance of Ethnic Diversity acros Politics, News, Public Discourse, and Art (review)
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View Urban Bush Women: Twenty Years of African American Dance Theater, Community Engagement, and Working it Out (review)
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Urban Bush Women: Twenty Years of African American Dance Theater, Community Engagement, and Working it Out (review)
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View Victorian Women and the Theatre of Trance: Mediums, Spiritualists, and Mesmerists in Performance (review)
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Victorian Women and the Theatre of Trance: Mediums, Spiritualists, and Mesmerists in Performance (review)
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View Memory in Play: From Aeschylus to Sam Shepard, and: Technologies of Memory in the Arts (review)
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Memory in Play: From Aeschylus to Sam Shepard, and: Technologies of Memory in the Arts (review)
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| ISSN | 1086-332X |
|---|---|
| Print ISSN | 0192-2882 |
| Launched on MUSE | 2011-06-09 |
| Open Access | No |
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