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Front Cover: Binh Danh, Ancestral Altar #21. 2006. Chlorophyll print, butterfly specimens, and resin. Haines Gallery, San Francisco.
In this Issue
MFS publishes scholarly essays that analyze the important aesthetic, cultural, political, and environmental developments currently shaping today’s academic and public conversations. A leading international literature and humanities journal, MFS focuses on the various modalities and uses of fiction in the broadest sense of the term—publishing material designed to speak to a wide audience of scholars, public intellectuals, and cultural practitioners working across diverse fields, regions, and venues. Now in its sixty-eighth year, MFS is published by Johns Hopkins University Press and is available online at Project MUSE.
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Johns Hopkins University Pressviewing issue
Volume 56, Number 1, Spring 2010Table of Contents
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View “A Gift or a Theft Depends on Who Is Holding the Pen”: Postcolonial Collaborative Autobiography and Monique Truong’s The Book of Salt
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“A Gift or a Theft Depends on Who Is Holding the Pen”: Postcolonial Collaborative Autobiography and Monique Truong’s The Book of Salt
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View Nowhere in Particular: Perceiving Race, Chang-rae Lee’s Aloft, and the Question of Asian American Fiction
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Nowhere in Particular: Perceiving Race, Chang-rae Lee’s Aloft, and the Question of Asian American Fiction
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| ISSN | 1080-658X |
|---|---|
| Print ISSN | 0026-7724 |
| Launched on MUSE | 2010-03-17 |
| Open Access | No |
Copyright
Copyright © 2010 the Purdue Research Foundation.
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