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Front Cover: Lubricious Transfer, live telematic performance, 2005. Blur Against Sculpture: California dancers in foreground, New York dancers on screen in the telematic performance work Lubricious Transfer. (© Ben Munisteri and Edward C. Warburton. Photo: Jim MacKenzie. © University of California Regents.) See article in this issue by Bob Giges and Edward C. Warburton.
In this Issue
Leonardo, founded in 1968, has become an international channel of communication for artists who use science and developing technologies in their work. With emphasis on the artists' writings, Leonardo is the leading international journal for readers interested in the application of contemporary science and technology in their work. The companion annual journal, Leonardo Music Journal (LMJ) features the latest in music, multimedia art, sound science and technology.
published by
The MIT Pressviewing issue
Volume 43, Number 1, February 2010Table of Contents

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View A Reward-Driven Process for Local, Noospheric, and Computational Detection of Stochastic Deviation Fields
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View A Novel Use of 3D Motion Capture: Creating Conceptual Links between Technology and Representation of Human Gesture in the Visual Arts
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View Image Contour Fidelity Analysis of Mechanically Aided Enlargements of Jan van Eyck’s Albergati Portrait
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View Digital Art and Experimental Color Systems at Bell Laboratories, 1965–1984: Restoring Interdisciplinary Innovations to Media History
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View Ghosts of Futures Past: Spiritualism and the Cultural Politics of Nineteenth-Century America (review)
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ISSN | 1530-9282 |
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Print ISSN | 0024-094X |
Launched on MUSE | 2010-02-20 |
Open Access | No |
Copyright
Copyright © 2010 the International Society for the Arts, Sciences and Technology (ISAST), the owner
Additional Issue Materials
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