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Front Cover: Jacob Epstein, Torso in Metal from “The Rock Drill” (1913–1914). Bronze, 70.5 by 58.4 by 44.5 cm. Tate, London; purchased, 1960. From Futurism, a catalogue to accompany the exhbition, Le Futurisme à Paris: Une avant-garde explosive, ed. Didier Ottinger (Éditions du Centre Pompidou, Paris and 5 Continents Editions, Milan), 281.”
In this Issue
Modernism/modernity focuses on the methodological, archival, and theoretical approaches particular to modernist studies. It encourages an interdisciplinary approach linking music, architecture, the visual arts, literature, and social and intellectual history. The journal's broad scope fosters dialogue about the history of modernism and its relations to modernization. Each issue features a selection of essays as well as book reviews. Additional articles and other peer-reviewed formats appear on the journal's Print Plus platform (modernismmodernity.org). Modernism/modernity is the official journal of the Modernist Studies Association (MSA). Winner of six awards from CELJ.
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Johns Hopkins University Pressviewing issue
Volume 16, Number 4, November 2009Table of Contents

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View Signifyin(g) Afro-Orientalism: The Jazz-Addict Subculture in Nigger Heaven and Home to Harlem
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View A History of Palestine: From the Ottoman Conquest to the Founding of the State of Israel (review)
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View Affective Mapping: Melancholia and the Politics of Modernism, and: Affecting Fictions: Mind, Body, and Emotion in American Literary Realism (review)
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View Guardians of the Humanist Legacy: The Classicism of T. S. Eliot’s “Criterion” Network and its Relevance to our Postmodern World, and: The International Reception of T. S. Eliot (review)
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ISSN | 1080-6601 |
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Print ISSN | 1071-6068 |
Launched on MUSE | 2010-01-01 |
Open Access | No |
Copyright
Copyright © 2009 The Johns Hopkins University Press.
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