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Modernism/modernity

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Volume 7, Number 2, April 2000

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Modernism/modernity focuses on the methodological, archival, and theoretical approaches particular to modernist studies. It encourages an interdisciplinary approach linking music, architecture, the visual arts, literature, and social and intellectual history. The journal's broad scope fosters dialogue about the history of modernism and its relations to modernization. Each issue features a selection of essays as well as book reviews. Additional articles and other peer-reviewed formats appear on the journal's Print Plus platform (modernismmodernity.org). Modernism/modernity is the official journal of the Modernist Studies Association (MSA). Winner of six awards from CELJ.

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Johns Hopkins University Press

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Volume 7, Number 2, April 2000

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The Spleen of Rome: Modernism in Fellini's La dolce vita

Alessia Ricciardi

pp. 201-219

DOI: https://doi.org/10.1353/mod.2000.0044

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Transition to Vichy: The Case of Georges Pelorson

Vincent Giroud

pp. 221-248

DOI: https://doi.org/10.1353/mod.2000.0036

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The Flat, the Round, and Gertrude Stein: Race and the Shape of Modern(ist) History

Laura Doyle

pp. 249-271

DOI: https://doi.org/10.1353/mod.2000.0032

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Kurt Weill as Modernist

Daniel Albright

pp. 273-284

DOI: https://doi.org/10.1353/mod.2000.0025

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Seeing into Modernity: Walter Sickert's Music Hall Scenes, c. 1887-1907, and English Modernism

Peters Corbett, David, 1956-

pp. 285-306

DOI: https://doi.org/10.1353/mod.2000.0043

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Juneteenth: A Novel (review)

Kenneth W. Warren

pp. 307-309

DOI: https://doi.org/10.1353/mod.2000.0050

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Le Tumulte Noir: Modernist Art and Popular Entertainment in Jazz-Age Paris, 1900-1930 (review)

Michel Fabre

pp. 309-310

DOI: https://doi.org/10.1353/mod.2000.0034

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Color and Culture: Black Writers and the Making of the Modern Intellectual (review)

Brad Evans

pp. 311-313

DOI: https://doi.org/10.1353/mod.2000.0033

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Race Men (review)

Marlon Bryan Ross

pp. 313-315

DOI: https://doi.org/10.1353/mod.2000.0045

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Most German of the Arts: Musicology and Society from the Weimar Republic to the End of Hitler's Reich (review)

Michael P. Steinberg

pp. 315-318

DOI: https://doi.org/10.1353/mod.2000.0047

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Richard Wagner, Fritz Lang, and the Nibelungen: The Dramaturgy of Disavowal (review)

Lutz P. Koepnick

pp. 318-320

DOI: https://doi.org/10.1353/mod.2000.0038

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Gramophone, Film, Typewriter (review)

Matthias Konzett

pp. 320-321

DOI: https://doi.org/10.1353/mod.2000.0039

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Economy of the Unlost: (Reading Simonides of Keos with Paul Celan) (review)

Stanley Corngold

pp. 322-324

DOI: https://doi.org/10.1353/mod.2000.0031

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Joyce's Book of Memory: The Mnemotechnic of Ulysses (review)

Mark S. Morrisson

pp. 324-326

DOI: https://doi.org/10.1353/mod.2000.0041

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Man from Babel (review)

Russell A. Berman

pp. 326-327

DOI: https://doi.org/10.1353/mod.2000.0026

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Rising Star: Dandyism, Gender, and Performance in the Fin de Siecle (review)

Gail Finney

pp. 327-329

DOI: https://doi.org/10.1353/mod.2000.0035

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Van Gogh's Progress: Utopia, Modernity, and Late-Nineteenth-Century Art (review)

Reinhold Heller

pp. 329-331

DOI: https://doi.org/10.1353/mod.2000.0037

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Workin' Man Blues: Country Music in California (review)

Turner Cassity

pp. 331-332

DOI: https://doi.org/10.1353/mod.2000.0030

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Working-Class Hollywood: Silent Film and the Shaping of Class in America (review)

Benjamin D. Singer

pp. 332-334

DOI: https://doi.org/10.1353/mod.2000.0046

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The Red Rooster Scare: Making Cinema American, 1900-1910 (review)

Moya Luckett

pp. 334-336

DOI: https://doi.org/10.1353/mod.2000.0040

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Modernism: An Anthology of Sources and Documents (review)

Peter Brooker

pp. 336-338

DOI: https://doi.org/10.1353/mod.2000.0029

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The Gospel of Germs: Men, Women, and the Microbe in American Life (review)

Priscilla Wald

pp. 338-340

DOI: https://doi.org/10.1353/mod.2000.0049

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Each Mind a Kingdom: American Women, Sexual Purity, and the New Thought Movement, 1875-1920 (review)

Thomas G. Pavel

pp. 340-341

DOI: https://doi.org/10.1353/mod.2000.0042

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Fishing by Obstinate Isles: Modern and Postmodern British Poetry and American Readers (review)

C. D. Blanton

pp. 342-343

DOI: https://doi.org/10.1353/mod.2000.0027

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The Objectivist Nexus: Essays in Cultural Poetics (review)

Michael Thurston

pp. 344-345

DOI: https://doi.org/10.1353/mod.2000.0048

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Recent Books of Interest

pp. 347-350

DOI: https://doi.org/10.1353/mod.2000.0028

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Previous Issue

Volume 7, Number 1, January 2000

Next Issue

Volume 7, Number 3, September 2000

Additional Information
ISSN	1080-6601
Print ISSN	1071-6068
Launched on MUSE	2000-04-01
Open Access	No

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