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Modernism/modernity

In this Issue

Volume 1, Number 3, September 1994

Issue

Special Issue: Marinetti and the Italian Futurists

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Additional Information

Modernism/modernity focuses on the methodological, archival, and theoretical approaches particular to modernist studies. It encourages an interdisciplinary approach linking music, architecture, the visual arts, literature, and social and intellectual history. The journal's broad scope fosters dialogue about the history of modernism and its relations to modernization. Each issue features a selection of essays as well as book reviews. Additional articles and other peer-reviewed formats appear on the journal's Print Plus platform (modernismmodernity.org). Modernism/modernity is the official journal of the Modernist Studies Association (MSA). Winner of six awards from CELJ.

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Johns Hopkins University Press

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Volume 1, Number 3, September 1994

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Reminiscences of My Father

Lawrence S. Rainey, Luce Marinetti Barbi

pp. 45-54

DOI: https://doi.org/10.1353/mod.1994.0035

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The Conquest of Modernity: From Modernist Nationalism to Fascism

Lawrence S. Rainey, Emilio Gentile

pp. 55-87

DOI: https://doi.org/10.1353/mod.1994.0058

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Mafarka and Son: Marinetti's Homophobic Economics

Barbara Spackman

pp. 89-107

DOI: https://doi.org/10.1353/mod.1994.0064

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Marketing Modernism: Marinetti as Publisher

Lawrence S. Rainey, Claudia Salaris

pp. 109-127

DOI: https://doi.org/10.1353/mod.1994.0062

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"A Modern Musical Reality": Futurism, Modernism, and "The Art of Noises"

Robert P. Morgan

pp. 129-151

DOI: https://doi.org/10.1353/mod.1994.0059

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Propeller Talk

Jeffrey T. Schnapp

pp. 153-178

DOI: https://doi.org/10.1353/mod.1994.0063

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The Futurist Johannes R. Becher

Peter Demetz, Wilhelm Werthern

pp. 179-194

DOI: https://doi.org/10.1353/mod.1994.0056

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The Creation of the Avant-Garde: F. T. Marinetti and Ezra Pound

Lawrence S. Rainey

pp. 195-220

DOI: https://doi.org/10.1353/mod.1994.0061

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The Retreat from Poetic Modernism

Calvin Bedient

pp. 221-231

DOI: https://doi.org/10.1353/mod.1994.0057

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On Akhmatova

Donald Davie

pp. 231-235

DOI: https://doi.org/10.1353/mod.1994.0066

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Il culto del littorio: la sacralizzazione della politica nell'Italia fascista. (The cult of the fasces: the sacralization of politics in fascist Italy.) (review)

Claudio Fogu

pp. 235-238

DOI: https://doi.org/10.1353/mod.1994.0039

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How Fascism Ruled Women: Italy, 1922-1945, and: Il Duce's Other Woman: The Untold Story of Margherita Sarfatti, Benito Mussolini's Jewish Mistress, and How She Helped Him Come to Power

Barbara Spackman

pp. 238-240

DOI: https://doi.org/10.1353/mod.1994.0038

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Case Histories, and: Public Sphere and Experience

Loren Kruger

pp. 240-243

DOI: https://doi.org/10.1353/mod.1994.0043

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Walter Benjamin for Children: An Essay on his Radio Years, and: Wireless Imagination: Sound, Radio, and the Avant-Garde

Daniel Newton Tiffany

pp. 244-246

DOI: https://doi.org/10.1353/mod.1994.0047

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Budapest and New York: Studies in Metropolitan Transformation, 1870-1930, and: Berlin Cabaret

Suzanne L. Marchand

pp. 247-251

DOI: https://doi.org/10.1353/mod.1994.0037

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German Social Democracy and the Rise of Nazism, and: Art, Ideology, and Economics in Nazi Germany: The Reich Chambers of Music, Theater, and the Visual Arts

Richard Bodek

pp. 251-254

DOI: https://doi.org/10.1353/mod.1994.0042

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The Texture of Memory: Holocaust Memorials and Meaning

Esther da Costa Meyer

pp. 255-257

DOI: https://doi.org/10.1353/mod.1994.0055

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We Have Never Been Modern (review)

Andrew Pickering

pp. 257-258

DOI: https://doi.org/10.1353/mod.1994.0044

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Culture and Imperialism, and: Edward Said: A Critical Reader (review)

Michael Murrin

pp. 259-263

DOI: https://doi.org/10.1353/mod.1994.0051

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The Church and the Left

Edward T. Oakes

pp. 263-264

DOI: https://doi.org/10.1353/mod.1994.0048

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Taylored Lives: Narrative Productions in the Age of Taylor, Veblen, and Ford

Jonathan Veitch

pp. 264-266

DOI: https://doi.org/10.1353/mod.1994.0036

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Frank Lloyd Wright: Architect

Philip Joshua Jacks

pp. 266-269

DOI: https://doi.org/10.1353/mod.1994.0050

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Charles Garnier's Paris Opera: Architectural Empathy and the Renaissance of French Classicism, and: In the Theatre of Criminal Justice: The Palais de Justice in Second Empire Paris

Richard Wittman

pp. 269-273

DOI: https://doi.org/10.1353/mod.1994.0040

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The Architectural Uncanny: Essays in the Modern Unhomely

Robert Somol

pp. 273-275

DOI: https://doi.org/10.1353/mod.1994.0054

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The Black Atlantic: Modernity and Double Consciousness

Aldon Lynn Nielsen

pp. 275-277

DOI: https://doi.org/10.1353/mod.1994.0041

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Joyce in America: Cultural Politics and the Trials of Ulysses

Mark S. Morrisson

pp. 277-279

DOI: https://doi.org/10.1353/mod.1994.0052

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The Blinding Torch: Modern British Fiction and the Discourse of Civilization

Paul B. Armstrong

pp. 279-281

DOI: https://doi.org/10.1353/mod.1994.0053

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Early Stevens: The Nietzschean Intertext, and: Wallace Stevens: The Plain Sense of Things, and: Wallace Stevens and Literary Canons

Alan C. Golding

pp. 281-285

DOI: https://doi.org/10.1353/mod.1994.0045

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Poetry of Mourning: The Modern Elegy from Hardy to Heaney

John Burt

pp. 285-286

DOI: https://doi.org/10.1353/mod.1994.0049

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Selected Poetry, and: To Circumjack MacDiarmid: The Poetry and Prose of Hugh MacDiarmid, and: Hugh MacDiarmid: Man and Poet

Keith Tuma

pp. 286-289

DOI: https://doi.org/10.1353/mod.1994.0046

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Recent Books of Interest

pp. 291-299

DOI: https://doi.org/10.1353/mod.1994.0065

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Selections from the Unpublished Diaries of F. T. Marinetti: Introduction and Notes by Lawrence Rainey and Laura Wittman

Lawrence S. Rainey, Filippo Tommaso Marinetti, Laura Wittman

pp. 1-44

DOI: https://doi.org/10.1353/mod.1994.0060

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Previous Issue

Volume 1, Number 2, April 1994

Next Issue

Volume 2, Number 1, January 1995

Additional Information
ISSN	1080-6601
Print ISSN	1071-6068
Launched on MUSE	1994-09-01
Open Access	No

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