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Theatre Journal

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Volume 58, Number 3, October 2006

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Over seven decades, Theatre Journal has achieved an international reputation as one of the most significant publications of theatre and performance studies today. The journal features scholarly articles that are at the cutting edge of theatre, dance, and performance studies; focusing on historiographical, cultural, and/or theoretical analyses in both national and transnational contexts. Two special issues and two general issues are published each year; all issues include book and performance reviews. The journal also features an online section that includes interviews with artists, think pieces, and other alternative approaches to knowledge production. Theatre Journal is an official publication of the Association for Theatre in Higher Education (ATHE).

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Johns Hopkins University Press

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Volume 58, Number 3, October 2006

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Ten Theses to Subvert a Work (A Manifesto)

Allen S. Weiss

pp. 393-394

DOI: https://doi.org/10.1353/tj.2006.0177

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Looking, Listening, and Remembering: Ways to Walk New York after 9/11

Marla Carlson

pp. 395-416

DOI: https://doi.org/10.1353/tj.2006.0146

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Hearing Difference across Theatres: Experimental, Disability, and Deaf Performance

Kanta Kochhar-Lindgren

pp. 417-436

DOI: https://doi.org/10.1353/tj.2006.0159

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"Like a chained man's bruise": The Mediated Body in Eight Songs for a Mad King and Anatomy Theater

T. Nikki Cesare

pp. 437-457

DOI: https://doi.org/10.1353/tj.2006.0147

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The Search for America's Soul: Theatre in the Jazz Age

David Savran

pp. 459-476

DOI: https://doi.org/10.1353/tj.2006.0171

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Sweeney Todd (review)

pp. 477-478

DOI: https://doi.org/10.1353/tj.2006.0152

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The Shaggs: Philosophy of the World (review)

pp. 478-480

DOI: https://doi.org/10.1353/tj.2006.0181

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Valentine's Day Dark Dining (review)

pp. 480-481

DOI: https://doi.org/10.1353/tj.2006.0151

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Handsome Blue Sky (review)

pp. 481-483

DOI: https://doi.org/10.1353/tj.2006.0165

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Mauvais Genre (review)

pp. 483-485

DOI: https://doi.org/10.1353/tj.2006.0167

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L.#09 London Episode of the Tragedia Endogonidia (review)

pp. 485-486

DOI: https://doi.org/10.1353/tj.2006.0169

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Krankenhaus Blues (review)

pp. 486-488

DOI: https://doi.org/10.1353/tj.2006.0175

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Five Foot Feat (review)

pp. 488-490

DOI: https://doi.org/10.1353/tj.2006.0170

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Blessing the Boats (review)

pp. 490-491

DOI: https://doi.org/10.1353/tj.2006.0161

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The Pickle King, Krishnan's Diary, The Candlestickmaker (review)

pp. 491-495

DOI: https://doi.org/10.1353/tj.2006.0183

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Pericles, Prince of Tyre, and: Children of the Sea (review)

pp. 495-498

DOI: https://doi.org/10.1353/tj.2006.0148

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The Winter's Tale (review)

pp. 498-500

DOI: https://doi.org/10.1353/tj.2006.0153

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Passion Play, a Cycle (review)

pp. 500-501

DOI: https://doi.org/10.1353/tj.2006.0149

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A Number (review)

pp. 502-504

DOI: https://doi.org/10.1353/tj.2006.0145

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Teahouse (review)

pp. 504-506

DOI: https://doi.org/10.1353/tj.2006.0142

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Dead End (review)

pp. 506-507

DOI: https://doi.org/10.1353/tj.2006.0158

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In My Life (review)

pp. 508-509

DOI: https://doi.org/10.1353/tj.2006.0168

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Awake and Sing! (review)

pp. 509-511

DOI: https://doi.org/10.1353/tj.2006.0173

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The Rise and Fall of the Broadway Musical (review)

Stacy Ellen Wolf

pp. 513-514

DOI: https://doi.org/10.1353/tj.2006.0180

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Unfinished Show Business: Broadway Musicals as Works-in-Process, and: The American Musical and the Formation of National Identity (review)

Mary Jo Lodge

pp. 514-516

DOI: https://doi.org/10.1353/tj.2006.0163

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Phenomenology of a Puppet Theatre: Contemplations on the Art of Javanese Wayang Kulit (review)

Claudia Orenstein

pp. 516-517

DOI: https://doi.org/10.1353/tj.2006.0166

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Blackface Cuba, 1840-1895 (review)

Patricia Ybarra

pp. 517-518

DOI: https://doi.org/10.1353/tj.2006.0182

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The Last "Darky": Bert Williams, Black-on-Black Minstrelsy, and the African Diaspora (review)

Adrienne C. Macki

pp. 519-520

DOI: https://doi.org/10.1353/tj.2006.0164

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Singing for Freedom: The Hutchinson Family Singers and the Nineteenth-Century Culture of Reform (review)

Beth Schachter

pp. 520-521

DOI: https://doi.org/10.1353/tj.2006.0172

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The Most American Thing in America: Circuit Chautauqua as Performance (review)

Margaret M. Knapp

pp. 521-523

DOI: https://doi.org/10.1353/tj.2006.0157

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The Rhetoric of Sensibility in Eighteenth-Century Culture (review)

Odai Johnson

pp. 523-524

DOI: https://doi.org/10.1353/tj.2006.0154

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Harold Pinter and the Twilight of Modernism, and: Print and the Poetics of Modern Drama (review)

David Krasner

pp. 524-526

DOI: https://doi.org/10.1353/tj.2006.0160

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Playgoing in Shakespeare's London, and: The Shakespeare Company, 1594-1642 (review)

Elizabeth Klett

pp. 526-527

DOI: https://doi.org/10.1353/tj.2006.0156

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Revisionist Shakespeare: Transitional Ideologies in Texts and Contexts, and: Shakespeare's History Plays: Performance, Translation and Adaptation in Britain and Abroad, and: Local Shakespeares: Proximations and Power (review)

Kevin J. Wetmore

pp. 527-529

DOI: https://doi.org/10.1353/tj.2006.0179

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Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture, and: Stages of Dismemberment: The Fragmented Body in Late Medieval and Early Modern Drama (review)

Kim Solga

pp. 529-531

DOI: https://doi.org/10.1353/tj.2006.0174

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Edward Albee: A Casebook (review)

Linda Ben-Zvi

pp. 531-532

DOI: https://doi.org/10.1353/tj.2006.0143

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Eugene O'Neill's Last Plays: Separating Art from Autobiography (review)

J. Chris Westgate

pp. 532-533

DOI: https://doi.org/10.1353/tj.2006.0178

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Arthur Miller: A Critical Study (review)

Richard K. Tharp

pp. 534-535

DOI: https://doi.org/10.1353/tj.2006.0176

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Arthur Miller's America: Theater and Culture in a Time of Change (review)

Alan L. Ackerman

pp. 535-536

DOI: https://doi.org/10.1353/tj.2006.0141

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Our Land is Made of Courage and Glory: Nationalist Performance of Nicaragua and Guatemala (review)

Jodi Kanter

pp. 536-537

DOI: https://doi.org/10.1353/tj.2006.0155

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Revolutionary Acts: Theater, Democracy, and the French Revolution (review)

Mechele Leon

pp. 537-539

DOI: https://doi.org/10.1353/tj.2006.0162

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Editorial comment: hearing theatre

pp. ix-xii

DOI: https://doi.org/10.1353/tj.2006.0150

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Books Received

pp. 540-544

DOI: https://doi.org/10.1353/tj.2006.0144

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Volume 58, Number 2, May 2006

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Volume 58, Number 4, December 2006

Additional Information
ISSN	1086-332X
Print ISSN	0192-2882
Launched on MUSE	2006-10-04
Open Access	No

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