In this Book

Reel Latinxs: Representation in U.S. Film and TV

Book
Frederick Luis Aldama and Christopher González
2019
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summary
Latinx representation in the popular imagination has infuriated and befuddled the Latinx community for decades. These misrepresentations and stereotypes soon became as American as apple pie. But these cardboard cutouts and examples of lazy storytelling could never embody the rich traditions and histories of Latinx peoples. Not seeing real Latinxs on TV and film reels as kids inspired the authors to dive deep into the world of mainstream television and film to uncover examples of representation, good and bad. The result: a riveting ride through televisual and celluloid reels that make up mainstream culture.

As pop culture experts Frederick Luis Aldama and Christopher González show, the way Latinx peoples have appeared and are still represented in mainstream TV and film narratives is as frustrating as it is illuminating. Stereotypes such as drug lords, petty criminals, buffoons, and sexed-up lovers have filled both small and silver screens—and the minds of the public. Aldama and González blaze new paths through Latinx cultural phenomena that disrupt stereotypes, breathing complexity into real Latinx subjectivities and experiences. In this grand sleuthing sweep of Latinx representation in mainstream TV and film that continues to shape the imagination of U.S. society, these two Latinx pop culture authorities call us all to scholarly action.

Table of Contents

Cover

Title Pages, Copyright Page, Dedication

pp. i-vi

Contents

pp. vii-viii

Preface: Latinx Pop Culture Matters

pp. ix-2

Introduction: Real and Reel Latinx Lives Matter

pp. 3-28

1. Reel Markers of Latinidad

pp. 29-56

2. Yesterday’s and Today’s Reel Bad Hombres

pp. 57-74

3. Laughing Matters

pp. 75-90

4. Pixelated and Reel Latinx Niños, Teens, and More

pp. 91-114

5. Let’s Talk Gender and Sexuality

pp. 115-132

6. Latinxs in Reel Speculative Spaces

pp. 133-160

Coda: It’s a Latinx Wrap

pp. 161-164

Further Readings and Viewings

pp. 165-170

Index

pp. 171-179

About the Authors

pp. 180