Abstract

Abstract:

For Richard Wilbur, metaphors (and poems more broadly) possess the mysterious capacity to make a thing “most itself” by “urging the unity” of the things it compares. Making metaphor is an act of re-creation whereby Wilbur first sought to redress the alienation he experienced as a soldier during the Second World War, an alienation, or separation, that sunders all the things of this world. Wilbur developed this poetic re-creation in a poetry of “second findings,” where the things of this world are unified in new relationship, and the poet cooperates with the continuing act of divine creation.

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