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In this Issue
Leonardo, founded in 1968, has become an international channel of communication for artists who use science and developing technologies in their work. With emphasis on the artists' writings, Leonardo is the leading international journal for readers interested in the application of contemporary science and technology in their work. The companion annual journal, Leonardo Music Journal (LMJ) features the latest in music, multimedia art, sound science and technology.
published by
The MIT Pressviewing issue
Volume 48, Number 3, 2015Table of Contents
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View Drapely-o-lightment: An Algorithmic Approach to Designing for Drapability in an E-Textile Garment
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Drapely-o-lightment: An Algorithmic Approach to Designing for Drapability in an E-Textile Garment
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View Real-Time Hallucination Simulation and Sonification through User-Led Development of an iPad Augmented Reality Performance
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View Agency in Movement, Part 2: Papers from the 2013 “Agency in Movement” symposium held at the University of Western Australia, Perth, 2013
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Agency in Movement, Part 2: Papers from the 2013 “Agency in Movement” symposium held at the University of Western Australia, Perth, 2013
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View National Vitality, Migrant Abjection, and Coercive Mobility: The Biopolitical History of American Deportation
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National Vitality, Migrant Abjection, and Coercive Mobility: The Biopolitical History of American Deportation
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View Syncitium in Motion: Exploring Movement in the Skeletal Muscle Cell Shared by Scientific and Artistic Nuclei
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Syncitium in Motion: Exploring Movement in the Skeletal Muscle Cell Shared by Scientific and Artistic Nuclei
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View “Dead Eyes Open”: The Role of Experiments in Galvanic Reanimation in Nineteenth-Century Popular Culture
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View Ethos and Narrative Interpretation: The Negotiation of Values in Fiction by Liesbeth Korthals-Altes (review)
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Ethos and Narrative Interpretation: The Negotiation of Values in Fiction by Liesbeth Korthals-Altes (review)
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View The Global Contemporary and the Rise of New Art Worlds ed. by Hans Belting, Andrea Buddensieg and Peter Weibel (review)
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The Global Contemporary and the Rise of New Art Worlds ed. by Hans Belting, Andrea Buddensieg and Peter Weibel (review)
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View Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording by David Grubbs (review)
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Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording by David Grubbs (review)
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View Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art by Charissa Terranova (review)
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Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art by Charissa Terranova (review)
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View Poetic Language: Theory and Practice from the Renaissance to the Present by Tom Jones (review)
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Poetic Language: Theory and Practice from the Renaissance to the Present by Tom Jones (review)
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View That Drunken Conversation between Two Cultures: Art, Science and the Possibility of Meaningful Uncertainty
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| ISSN | 1530-9282 |
|---|---|
| Print ISSN | 0024-094X |
| Launched on MUSE | 2015-06-11 |
| Open Access | No |
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Copyright © The International Society for the Arts, Sciences and Technology (ISAST), the owner
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